works

Hypercube Ensemble
Hypercube Ensemble - Rehearsing "Grinding... Melting... in Time" at David Friend Recital Hall - Berklee College of Music
50th International Viola Congress in Paris
Daphne Gerling and Wendy Richman premiering "Belonging" at the 50th International Viola Congress in Paris

List of Works

Memory of a Fragmented Body (2026) c.a. 8′ – Written for SPLICE institute of 2026

  • Instrumentation: for Clarinet in B-flat and Live Electronics
  • Performance history: June 26, 2026 at Western Michigan University as a part of SPLICE institute concert

تار / Tar (2026) c.a. 10′ – Written for Alireza Khodayari

  • Instrumentation: for Iranian Târ and Live Electronics
  • Performance history: Recorded in May 2026

…we bloom, as if we have always been there… (2025-2026) c.a. 6′ – Written for Sound Icon percussion trio

  • Instrumentation: for percussion trio
  • Performance history: Performed and recorded by Sound Icon ensemble in late May 2026, Recorded in March 2026 with Henry Hutchison and Lilly Cooper 

Grinding… Melting… in Time (2025-2026) c.a. 10′ – written for Hypercube Ensemble

  • Instrumentation: for saxophone, electric guitar, piano and percussion
  • Performance history: performed in March 2026 at Berklee College of Music 

Circular Times (2025) c.a. 7:30 – written for Sinfonietta and electronics (optional)/ large chamber ensemble

  • Instrumentation: for violin(6) , viola(2), cello(2), contrabass, percussion, horn, trumpet, bassoon, clarinet/ bass clarinet, oboe, flute/ bass flute
  • Performance history: performed and recorded in May 2026 at Boston Conservatory at Berklee – Conducted by Jeff Means 

Belonging (2025) c.a. 8′ – written for Wendy Richman and Daphne Gerling as a part of 50th International Viola Congress in Paris

  • Instrumentation: viola duo and vocalization
  • Performance history: performed in January 19, 2026 at University of North Texas, January 21, 2026 at the Paris Conservatory.

Beneath the Debris (2025) c.a. 13′  – String Quartet

  • Instrumentation: violin (2), viola and cello
  • Performance history: performed/ read in October 2025 by the Rhythm Method quartet  at Berklee College of Music
    Mirror (2025) c.a. 11′  – Cello and live electronics
    • Instrumentation: cello and live electronics
    • Performance history: Premiered by Athos Maelstrom in April 2026 at the Dimenna Center, NYC (Reflector Recital)

Mist and Mirage (2024) c.a. 10′  – written for Hypercube Ensemble

  • Instrumentation: saxophone, electric guitar, piano, percussion and electronics
  •  Performance history: March 2025 at Berklee College of music (Boston), May 2025 at the Queens New Music Festival (NYC) 

Shadows (2024) c.a. 7′  – for clarinet and live electronics

  • Instrumentation: clarinet and electronics
  •  Performance history: November 2025 at Allston New Music Festival (Boston)

A dream in chaos (2024) c.a. 15′  – for mixed ensemble

  • Instrumentation: clarinet/ bass clarinet, flute/ also flute, saxophone, percussions (2-3 player), piano, violin and cello
  •  Performance history: Recorded in March 2025

The Ever-falling Odyssey (2024) c.a. 8′  – for string quartet (as a part of JACK studio of 2024)

  • Instrumentation: violin (2), viola and cello
  •  Performance history: performed and recorded by JACK quartet in March 2024 at the Mannes, New School (NYC)

There is no light in the dark (2024) c.a. 7′  – for flute solo

  • Instrumentation: Flute
  •  Performance history: Premiered and performed by Teodor Mondiru in July 2024, at the Old South Church (Boston)

Timelessness in an accursed land (2024) c.a. 6′  – for chamber ensemble

  • Instrumentation: flute, clarinet, violin and cello
  •  Performance history: read and recorded by Sound Icon ensemble at Berklee College of Music in March 2024 (Boston) 

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